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Sunday
04Oct2009

What I've been listening to lately

DateSunday, October 4, 2009 at 12:04AM

Man, I love me some Warren Zevon. Sometimes I realize all over again that he's dead and won't be making anymore music.


This video is from the BBC television show, Words and Music.

Authoradam gallardo | CommentPost a Comment |
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Saturday
03Oct2009

ZWATCH

DateSaturday, October 3, 2009 at 11:54PM


I think this site is a little piece of brilliance.


And it gives me ideas.

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Friday
25Sep2009

Profit and Loss

DateFriday, September 25, 2009 at 12:12AM


First, let me say that Profit and Loss would be a righteous name for a super hero duo. A sort of corporate-themed vigilante team. "We're here to help investors and creditors determine the past performance of their enterprise, predict future performance, assess the capability of generating future cash flows, and clean up the streets!" It would have sort of a Watchmen/Dark Knight feel to it.


Anyway, I believe I've mentioned costing as it relates to comics before in this blog, and I thought I might go into it in some more detail. This may only be of interest to those looking to get into comics. And maybe not even them. This will be a "how the sausage is made" type entry.

At any publisher, your project is going to go through the costing process before it is given the go ahead for publication. Or more likely, your project is going to go through the costing process and there it will die an unceremonious death mourned only by you and, if you're lucky, your editor. It's not a kind process and, given the current state of publishing and the economy, I can only imagine that it's become even uglier than I remember it. For the sake of example I am going to talking about my memories of the costing process at Dark Horse Comics. 1) Because I worked there in the editorial department for a time and 2) because I've had a book go through the process there myself.

Once you have convinced your editor that your idea for a comic is a good one (no mean feat and perhaps worthy of an entry of its own), your editor will take the idea to the Costing Committee. The Costing Committee is made up of a mix of senior editors, financial people, marketing and advertising. The editor will give to the Costing Committee any relevant material that you have given him: your pitch document, art, etc. And the first thing the Costing Committee does is have a Profit and Loss sheet (P&L) made up for your project.

This part of the process is sort of like magic to me, but the individual making up the P&L plugs lots of bits of data into a spread sheet. The creative cost, the parameters of which were discussed between you and your editor; the cost of producing a book of a given page count; whether the book is color or black and white; and etc. And all of these things are broken down into print runs of various size. This tells the costing committee, for example, that a color book that is 120-pages long with a print run of 5,000 copies will likely sell X number of copies in a year and so will ear Y number of dollars. If X and Y are high enough numbers, then your book will be published. In today's publishing climate, I'm guessing that X and Y being high enough is becoming increasingly rare.

I should mention some more about the creative costs and the the discussions that go on between you and your editor. Your editor is by no means an accountant, but he has a fairly good idea (or should) of what kinds of budgets he can get approved. And that budget figure is going to be different depending on if you are just starting out (a low figure) or are an established creator who's name on a project means a guaranteed level of profit (potentially quite high. And this discussion between the two of you should be a back and forth and you have to understand that when your editor will not give in to your every request, he is doing so not because it pleases him to disappoint you (at least that's not the only reason), but because he knows what sorts of budgets are being approved by the costing committee and how much chance of success your project has of going through at a given dollar amount.

You may wonder why I'm thinking so much about the costing process. I will be honest: it's not just for your education and edification, but because I have a book currently going through the process. Writing this entry is helping to remind myself that the process takes time and that there is, ultimately, nothing I can do to speed it along. I just have to hope that the numbers my editor and I (and my co-creators) agreed upon are ones the committee will find agreeable.

I'll keep you posted as the situation develops.

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Wednesday
23Sep2009

Over the Edge

DateWednesday, September 23, 2009 at 11:14PM


I remember watching Over the Edge when I was a kid. Maybe ten or so. There are a handful of movies I saw around that time that I feel, and felt at the time, were transformative. That altered me. The Exorcist, Tommy, Altered States, The Godfather, and, of course, Over the Edge. I was too young to be watching any of these people, truth be told, and there's no way I'll let Oscar watch them when he's that age, but discipline was lax at the Gallardo household, I guess.


The movie is a low budget number about rebellious youth, or youth gone wild, or what happens when adults abdicate there roles as authority figures. One or all of those. I just remember that the images of kids rising up against the adults left an indelible mark on me. The fact that the adults deserved it was even more revelatory.

One thing about the movie, however: I've never talked to anyone else who's seen it. Even the biggest film buffs I know seems to be unaware of it. For a while I thought I'd made it up, imagined it completely. So imagine my delight when I found a story on the indispensable BoingBoing.net linking to an oral history of the films production. The article itself resides at Viceland.com. It's fairly lengthy and I haven't made it through the entire piece yet, but what I've read leaves me wanting more.

It also leaves me wanting to watch the movie again. What are the odds it's available on DVD?

Here's the trailer for your viewing enjoyment:

Authoradam gallardo | Comment3 Comments |
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Wednesday
23Sep2009

Breaking radio silence

DateWednesday, September 23, 2009 at 11:03PM


I've been absent from this blog due to family business. Lot's of time in my wife's old hometown where the air is clear and Internet access is a distant rumor. It's sort of nice to be unconnected for large swaths of time. It reminds me that I can have thoughts that don't need to be posted to facebook right this second! Though I did use my phone did to send some photos and such. I couldn't go cold turkey, apparently.


Anyway. I'm back. Here come some posts.

That image, by the way, is of my two favorite people, taken at my mother-in-law's house.

Authoradam gallardo | Comment1 Comment |
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Sunday
30Aug2009

Photo parade

DateSunday, August 30, 2009 at 10:42PM

It has apparently been nearly two months since I last posted photos. This has now been remedied. More than 100 photos have been uploaded to our flickr page. No titles, descriptions or tags. The thought of doing that for more than 100 photos made me feel like weeping.


Sorry.

Authoradam gallardo | Comment1 Comment |
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Sunday
30Aug2009

DateSunday, August 30, 2009 at 9:31PM


I feel like I don't have much to say lately. A lot of things in process. At stages that aren't that exciting to talk about (because I know that my readers have come to expect pure excitement from this blog).


One thing I should mention is that I got a part-time job. I'm now working as a projectionist at Salem Cinema, Salem's only independent theater. It specializes in indy and art-house movies. So far, except for the time it takes me away from Melissa and Oscar, it's a lot of fun. But it's helping to make ends meet, so it's hard to complain.

I've never worked a projector before, so it's been interesting learning the skill. I like machinery and the chance to get my hands inside of the projectors is great. And I think I take more satisfaction in having threaded the film properly than I likely should. Learning a new skill makes my head feel clear, which is nice. It's been a while since I learned anything new.

On the writing front, like I said, things are in process. Dalton is being considered for publication, which always turns into a hurry-up-and-wait situation (and I'm reminded that I need to write an email to the editor looking at it with my and Todd's ideas about publication--an email that will likely kill any chances the project has of moving forward). Todd is drawing an eight-page short story, but, because he has a day job, it's going to be a while before that's done. I need to start designing an actual web site for my self, but I am lazy and will probably put that off until... who knows when. I sent a query letter off last week to a literary agent, but that's another situation where I just have to wait for a response. Finally, I should be looking for artists for a couple of new projects, but with so many things up in the air, I'm reluctant to start anything new.

Maybe I'll just sit back and try and finish a book. Something I haven't been able to do in more than a week.

Stay tuned for more thrilling posts once things develop.

Authoradam gallardo | Comment1 Comment |
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Wednesday
26Aug2009

Walkabout

DateWednesday, August 26, 2009 at 5:39PM

Three weeks ago tomorrow, on August 6, Oscar took his first steps. Just two or three tentative steps between Melissa and me. He did it again the next morning. And then nothing for three weeks.


Until last night. Standing in a church parking lot talking with some friends, I decided to set him down and see what he'd do, and he tore off. I fear there is now no stopping him. Earlier today he was able to get up from a seated position on the floor and stand and then take off. Both Melissa and I feel like our lives are all changed in some fundamental way. It's both scary and exciting.

But here's a very short video of the little man in action. Enjoy!


Authoradam gallardo | Comment1 Comment |
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Thursday
20Aug2009

Jenny Owen Youngs

DateThursday, August 20, 2009 at 4:49PM

File this under "What does Adam listen to while writing?".


I believe I discovered Miss Youngs by following one of those "If you like X artist, then you'll like Y artist" recommendations on emusic.com. And they were right! Really, I'm a sucker for this kind of thing. Waifish singer/songwriters. Though Youngs has a bit more grit than is usual for that genre. She has two albums out, Batten the Hatches and Transmitter Failure. I recommend them both.

I'm posting a video here, "Clean Break" off her newest album. There are more videos on the youtube, or at her site, jennyowenyoungs.com.

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Wednesday
19Aug2009

Brief bits of business

DateWednesday, August 19, 2009 at 11:54PM

Oh, bullet points, how I've missed you!


• A reminder that the eight-page Dalton short story by Todd Demong and myself is still up at Myspace/DHP. If you haven't already, please read it and let me know what you think of it. Thanks.

• Núria, my partner in crime on Gear School has posted some new photos over on the blog dedicated to that book. And let me say once again that Spain is overflowing with beautiful people.

• This seems like a good time to remind folks that I am accessible in other places on the Internet. I can be found on myspace, though I am never on there anymore; facebook (where, besides a personal profile, I also have a group page and a page devoted to this blog); twitter; flickr; and photos I take with my phone can be seen on twitpic. So many ways to enjoy the spectacle that is me.

And after that bit of egotism, I must go shower.

Authoradam gallardo | Comment1 Comment |
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